Evelyn remembers her parents watching a TV show about a Belgian detective who solved a murder on the Orient Express. The train had seemed so quaint and elegant; a far cry from today's so-called "modern" train travel. Evelyn frequently lamented the by-gone days of comforts for the traveling public as she zipped from city to city via any form of public transportation. It feels far from "modern," really.
While her mother lauded the idea of an Amtrak Auto train, it sounded like actual torture to Evelyn, who had crossed the United States twice in one week several times in the past year.
Yet, Evelyn's mother had booked four tickets for Evelyn, herself, and Evelyn's sister, Louise to travel on the Orient Express for their Alpine Lakes regional tour.
As much as Evelyn had hated the idea of an Amtrak to Georgia, The Orient Express was obviously, not even on the same playing field. It was the epitome of elegance- far better than any cruise, and more luxurious than any hotel she'd ever stayed in. The trio were overjoyed by all of the little luxuries of the trip and relished in every tea, and sighting the views from their windows. This felt like modern vacation and travel. "Amenities that actually feel like amenities, and not necessities," remarked Louise.
Each traveler had their own compartment, or could sit with their companions in a private booth or in the reading car. , Every night you were required to dress formally for dinner, and the maids would turn down everyone's bedsheets while you dined.
They overheard a very Agatha Christie-esque British man with a mustache remarking on the bedsheet turning down to another of his train mates, "Very civilized, what?"
The girls smiled and took turns impersonating him throughout the journey, adding "what"s to the ends of their affirmative sentences every now and then. They also all began referring to their fellow passengers by Agatha Christie Inspired nicknames.
"If all train travel was like this," Evelyn announced to her sisters at tea time as they were cresting the alps, "I'd only travel on trains!" The words had barely left her mouth when the train hit an unexpected bump, and some of her perfectly brewed tea splashed out of her cup onto her lap. Of course she was wearing her new creme dress, and if the stain was to come out, it had to be dealt with immediately. Evelyn had never been the poised sister, but luckily, her eldest sister Louise was, and handed her a tide-to-go pen, "Hopefully it won't ruin the fabric..." Louise said suspiciously.
Her mother discretely passed her a linen napkin, damp on one corner, "You know, when Evelyn was very young, my sister Marie and I took her on an overnight trip on the train to Georgia to visit Great Grandma Cecil. The first morning Evelyn spilled orange juice all over her pretty new ruffle blouse-- and look," she said smiling, and touching Evelyn's sleeve, "you're still wearing ruffles!" They all laughed.
"I was so mad at that orange juice." Evelyn said.
"History repeats itself!" Louise remarks, turning for a last glimpse the mountains as they whiz by, before shooting through a tunnel.
Epilogue: From the author,
That orange juice story is so real. A few 2018 Calendars are still available, don't go another day without yours! Purchase one here.
You will be told time and time again in interiors classes, by your designer, or in interior design articles: It's all in the details. Further still, it is important in all design projects to be aware of how items are layering with one another. Quick value studies were always so helpful for me when I was laying out spaces. Contrast of textures, colors, tones, shapes... ect.
The key to the elegance of this quick sketch is the dramatic high contrast of each element. Devoid of complicated patterns, each element takes on a very contemporary graphic characteristic. The Matisse cut outs balanced in color by the blue and white garden stool. The detail of the delicate pattern mimicked in the subtle embroidery on the coffee table trim.
Black walls cause the arm less settee to stand out from the wall for the height of Parisian chic contrast. And while the settee is distinctly from The Louis the XI era, and the black and gold feel more like a Gatsby set- they work because they come from eras that were effectively after the same thing- making a statement with furnishings and gilding everything in gold. Allowing these two concepts to muddle together and reigning the other elements in to their simplest form causes a striking composition. All you need is a martini and your favorite record on.
Check out my latest pins with stunning trim details, and high contrast interior inspirations.
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